January 17, 2023
What makes pop songs so catchy?
New book explores hooks in popular music
Hey, I just met you, and this is crazy⊠But here's my number, so call me, maybe.
These wise and catchy words are those of Canadian singer-songwriter Carly Rae Jepsen from her 2012 hit âCall Me Maybeâ. The song topped the music charts across the world, including in the United States, Canada and Australia.
But what was it about that song that made it so popular? Why, 10 years later, is it still so memorable? What makes any song stand out and be easily remembered?
These questions are just some of many that are explored in (Palgrave McMillan 2022) â a new book co-authored by ÁńÁ«ÊÓÆ”app of ÁńÁ«ÊÓÆ”app (UOW) researcher and Dr Jadey OâRegan (Sydney Conservatorium of Music).
Itâs the first book-length study of hooks in popular music that attempts to explain why some songs get stuck in our heads and why these âhooksâ are the guiding principle of modern popular music.
Dr Byron from UOWâs School of Psychology said the book defines a hook as a musical moment or musical phrase that stands out and is easily remembered. These are the bits of songs that are more likely to end up as âearwormsâ, the elements of the songs that become stuck in our head.
âHooks are deeply personal â what is a devastatingly effective hook for one person, might slide right past another person unnoticed,â Dr Byron said.
âHooks can be a rhythm, a timbre, or a melody and theyâre not something thatâs added on top, they really are the defining fabric of pop music.
âThatâs not to say other genres donât use hooks, you see hooks in the riff in rock music, but for pop music itself, we just think itâs the core of what makes it pop.â
The book gives a range of examples of hooks in popular songs from the last 30 years, including the catchy chorus of the 2001 hit Canât Get You Out Of My Head by Kylie Minogue, Third Eye Blindâs 1997 song Semi Charmed Life and this 2022âs memorable hit As It Was by Harry Styles.
Dr Byron said hooks are important for modern pop music because artists want their songs to stand out.
âItâs been said in radio that if people hear a song they donât know, theyâll wait about seven seconds before changing the station and itâs probably the same for modern streaming services,â Dr Byron said.
âPop songs have to make an impact quickly and to stand out to the listener, they need to have a hook.
Dr Byron adds that the concept of a hook is not new.
âThrough our research we found the term hook being used to refer to a subsection of a piece of popular music that is notable in some way has occurred since at least the 1960s.â
The authors are both musicians but had different motivations for writing the book. Dr Byronâs expertise lies in music psychology, and in particular the way that music interacts with memory. While Dr OâRegan focuses on teaching music at the Sydney Conservatorium of Music.
âI am very interested in the psychology of what makes a song stand out and why some songs are easy to remember and I wanted to explore that in this book,â Dr Byron said.
âFor me as a psychologist itâs intriguing for something to be remembered because there are lots of things we donât remember at all. We barely remembered what we did a week ago, so for people to remember anything at all, there must be something special about it..
âIf a bit of a song is getting our attention, if there is a bit of a song that weâre remembering, then itâs doing something right and itâs almost exploiting the specifics of how our memory and attention works.â
For Dr OâRegan the impetus for the book came from her teaching background and experience.
âI teach contemporary music and a lot of my students are songwriters, producers and performers and in class we often talk about this idea of ear candy,â Dr OâRegan said.
âStudents would ask me where they could go to learn more about these concepts, and I realised there wasnât really anywhere I could send them.
âAnd then I realised we really needed to write something.â
The end result was a 459-page online textbook that covers everything from the psychology of memorability to the role of the study of hooks in popular musicology.
Hooks in Popular Music is a comprehensive piece of work that fills a gap in the literature discussing the importance of what makes a song catchy, and as Alanis Morissette memorably said in 1995, itâs the kind of stuff You Oughta Know.